| Moving
silence. Evoking emotion
The soul tires of statements. It yearns to
be moved. It needs silence, yet craves daring. Hiroko's art ignites
the emotions with beauty simplified from nature, using the colors
of the earth. It imbues art with the essence of a soul about to act,
or captures the striking beauty of natural curves and lines in mineral
pigment. The natural, caught by an extraordinary eye and transformed
by a remarkable hand, guided by a determined and gifted spirit.
Clean lines and mastery of the power of
simplicity
Reduction. Only by reducing the spirit of nature
can we reveal the fullest beauty of inner essence. The spirit behind
a natural act is transformed via clean lines and pigment into works
that divulge. This art feeds the heart in a most uncommon way. The
classic methods of Asian art include various devices for depth that
Hiroko drops; creating a space and feeling for the beholder that stretches
beyond the art into the imagination.
Media and the Shuhkoh method
Nihonga as fine art
Literally, Nihonga means Japanese painting.
Many schools and individual styles have evolved over the millennium
and half that Japanese painters began to work from Chinese examples.
Traditionally, Nihonga are executed by attaching mineral pigments
with heated organic matter to hand-made paper or silk. Today shortcuts
abound because of ease of use. Artistically, they are wanting substitutes.
Hiroko maintains the tradition, but goes further. This art form was
traditionally intended to aid contemplation of the still and silent.
Classic works of animals, for instance, rarely show action or intent.
Hiroko's method brings a new dimension: natural intent; the will expressed.
Byobu
Folding
screens have long been used by Japan's nobility as functional art,
both indoors and outdoors. Byobu offer an aspect ratio and scale that
can overwhelm smaller pictures. Yet they can be folded for storage
or moving, and can stand free or hang. Layer upon layer of paper is
laminated on wood and paper honeycomb. This same paper also spans
the gap between panels as hinges. Whereas the quality of many screens
has dropped as the market has shifted away from the nobility, Hiroko's
screens are crafted to stand the test of time. Her screens measure
up to 5'8" in height and 12' in width.
Washi
Traditional
Japanese paper of the highest quality. Hiroko's paper is chosen for
its special depth. It is also the sort that museums have found to
last over 1000 years with proper care.
Flowers
Ikebana is more than design or arrangement of flowers. It is a highly
developed art with deep spiritual roots. Hiroko's method is based
on the Koryu school; literally, the ancient way. It carries the genius
of tradition as well as the dimension of Hiroko's creativity. To this
she adds the finest in vase design and flower hardware. Combined with
screens, the arrangements create a three dimensional art space with
a spirit all its own.
Solids
Bowls.
Trays. The utensils of life. Given a new spirit with designs from
Hiroko. Apprenticeship in the ancient traditions Japanese wood-design
and woodwork is the basis. They carry the mark of Japanese tradition.
But the timelessness is joined by the innovative.
History
Long apprenticeship in the Japanese arts yields a mastery achievable
in no other way. Creativity and a most incisive eye bring vigorous
life to sure technique. A special gift of talent married to the best
in training.
As
a girl Hiroko won prizes for her paintings. As is traditional in Japan,
they were taken by museums, never to be returned. While working for
a large corporation to earn money for art college the president recognized
her talents and urged her to hurry into full-time formal training.
She chose the Musashino School of Art in Tokyo, majoring in oils.
After much individual practice the limits of oil for spiritual expression
became more evident -- starting her on a long series of apprenticeships
in Japanese techniques. Rokuro wood turning. Hand painting fine silk
kimono. Suiboku ink paintings.
Only
in the most difficult, Nihonga and Koryu flower arrangement, could
Hiroko find the deep satisfaction she had sought throughout the many
apprenticeships. Today these disciplines form the core of her work
that draws on many art forms. The paintings demonstrate the mastery
of difficul techniques, combinined with a unique approach to the simplification
of natural interaction. The satisfaction for viewer and artist is
in the moving power of simplicity and theme.
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